The Modern Wave, Part 2, January 12, 7 PM, Livestream
The third lecture “The Modern Wave, Part 2” covers some of the key sculptors who settled or were active in the Woodstock art colony from the late teens through the 1930s.
The third lecture “The Modern Wave, Part 2” which covers the the key sculptors Paul Fiene, Gaston Lachaise, Alexander Archipenko, Lu Duble, Isamu Noguchi, and Carl Walters will be livestreamed from Green Kill on January 12, 7 PM on Youtube
Please go to this Eventbrite link to access the livestream: https://www.eventbrite.com/e/the-modern-wave-part-2-january-12-7-pm-livestream-tickets-218749655107
The suggested donation for this event is 5 dollars, minimum is 1 dollar. Green Kill is able to bring this live stream to the public at great personal cost. Please help us to keep this quality program going.
The four and closing lecture, The Direct Carvers of the Historic Woodstock Art Colony will be livestreamed on February 9, 7 PM, produced by Dr. Bruce Weber, in cooperation with the Woodstock Art Artists Association and Museum (WAAM) and presents four lectures, livestreamed on Youtube from Green Kill.
The Direct Carvers focuses on the group of direct carvers who worked in the area from the 1920s onward, and were inspired by the example of John B. Flannagan. This group includes Flannagan, Eugenie Gershoy, Hannah Small, Raoul Hague and Harvey Fite.
Dr. Bruce Weber
Dr. Bruce Weber received his Ph.D. in art history at the Graduate School of the City University of New York. A leading scholar of American art of the past two centuries, Dr. Weber has served as a curator at several museums, including the Museum of the City of New York, and as the director of research and exhibitions at a leading New York gallery. He has published widely and curated numerous exhibitions. For the past few years he has been researching, lecturing, writing and curating on the historic Woodstock art colony.
Last autumn he initiated the blog Learning Woodstock Art Colony (learningwoodstockartcolony.com).
Woodstock Art Artists Association and Museum (WAAM)
Since its founding in 1919, the Woodstock Artists Association & Museum has been committed to exhibiting, collecting and supporting artists and art education and in sustaining the tradition of Woodstock as a “Colony of the Arts.” Located in the center of the village of Woodstock, New York, WAAM functions as a cultural center as well as a repository for the work of American artists associated with the Art Colony. Each year, the WAAM presents a full schedule of group, solo and historic exhibitions of regional artists throughout its five spacious galleries.